Art in Education and Education in Art
By Gail Ruggles
Two VAAE sponsored, graduate level classes presented in August, 2005 at
the Howard Dean Educational Center in Springfield, Vermont received
unanimous praise from attendees. “Arts, Higher Order Thinking, and
Student Achievement” (a.k.a. H.O.T.) was taught by Dr. Plato Karafelis,
principal of the Henry A. Wolcott Elementary School in West Hartford,
Connecticut. He was assisted by a host of co-educators from the school.
Each day of the weeklong presentation brought innovative ways to create
a curriculum which would engage students of all levels, in all grades.
At one point there was a hands-on demonstration of how students’ poetry
could be set to music. Debra Brown from Albert Bridge School exclaimed,
“Now that’s doable!” Others in the room echoed her feelings, as they
learned how to integrate parts and pieces of the H.O.T. school format
into their own school curriculums.
Karafelis and his
band of merry teachers enthusiastically displayed the films, photos, and
writings of the students of Wolcott. They showed, and even shared
samples of, the actual songs, CD’s, DVD’s and live presentations that
students created, using a primarily non-fiction based approach to
combining art and education. They have incorporated modern technological
advances into the curriculum and the students certainly seem to embrace
the new way of learning at Wolcott.
Two floors away, Susan O’Byrne taught “Picturing Writing: Fostering
Literacy Through Art and Image-Making Within The Writing Process,” a
program developed and copyrighted by Beth Olshansky. As this was the
fourth time that VAAE sponsored this workshop, it was well attended and
extremely well received. Susan showed participants how any student can
succeed when art is included as a ‘basic’ rather than ‘special’
educational tool. Following Gardner’s theory of multiple intelligences,
integrating the arts directly into the curriculum allows a broad
spectrum of approaches in all academic pursuits. At the end of the week
Susan created a sharing circle for participants to give feedback to her
and their fellow students. Kindergarten teacher Hollis Thompson of Union
Street School in Springfield said, “It was hard to start my students
writing. I will be delighted to try something new. I really like this
process.” All the heads in the circle bobbled in enthusiastic agreement.
During lunch, the
students chatted and mingled, sharing ideas they were learning in their
respective classes. Plato Karafelis overheard one of Susan’s student’s
explaining some of the background of the class to one of his students:
“Picturing Writing is just that; first you make a picture and then you
tell the story you see in the picture.” During the break later that day,
he brought a book which one of the Wolcott students had made into
Susan’s class. “We’re doing the same thing!” he said happily. Indeed,
the student-made books Susan had on display were amazingly like the
Wolcott book. The students of both the H.O.T. class and the Picturing
Writing/Image Making class caught a double affirmation of a system that
works. When art is blended into education, not just stuck on the side of
it, good things happen to children and their academic progress. These
graduate courses were funded by the VAAE, John F. Kennedy Center for
Performing Arts and the Okemo Community Challenge and in partnership
with the Vermont Department of Education. Wolcott 5th Grade Teacher Paul
Rabara Debby Szajnberg, Wolcott Kindergarten & Movement Teacher Susan
O’Byrne Rob Hugh, Wolcott Music Teacher Plato Karafelis and Susan
O’Byrne compare notes.
These graduate
courses were funded by the VAAE, John F. Kennedy Center for Performing
Arts and the Okemo Community Challenge and in partnership with the
Vermont Department of Education.
DRM Community Fund Contributes to VAAE
The Vermont
Alliance for Arts Education (VAAE) has been awarded a grant of $1,000
from the DRM Community Fund, a program offered by attorneys at the law
firm Downs Rachlin Martin PLLC. The funding will assist with both the
day to day operations of the non-profit arts education organization and
assist to support the fall conference, where professional artists share
their talents and expertise with Vermont educators.
“On behalf of the firm, we are delighted to support programs like this
that can make the arts come alive for Vermont school children,” said
Walter E. Judge, a Director and owner at DRM and a member of the VAAE
Board of Directors. “This program will contribute greatly to the
strength of our communities in Vermont.”
DRM Community Fund
grants are being awarded to private non-profit organizations in Vermont
and New Hampshire for projects aimed at building strong communities. The
program was begun in the fall of 2000 as part of the firm’s celebration
of 50 years of service. Since then the firm has awarded more than
$100,000 in small grants for innovative grass-roots initiatives in the
arts, education, and economic development.
Downs Rachlin
Martin PLLC is Vermont’s largest law firm with more than 70 attorneys
and other legal professionals, and offices in Brattleboro, Burlington,
Montpelier, and St. Johnsbury, VT, and in Littleton, NH. It was
established in 1950 in St. Johnsbury under the name of Waterman & Downs.
For more
information on the firm visit the firm’s web site at
www.drm.com.
Collaboration Enriches Dance
The North
Country Dance Program, directed by Cheri Skurdall, celebrated its 18th
year with collaborative projects that were featured at the annual Spring
Concert. In a series of district assemblies and public performances, 200
high school dancers performed for elementary and middle school students,
as well as for packed public houses. North Country High School and
Career Center, through the efforts of IT Academy Director Lucie de
LaBruere, received a $100,000.00 grant from the U.S. Dept of Education
to integrate technology throughout the school. Among various initiatives
was a collaborative project between dance, music, art, and math students
focusing on the concept of the Fibonacci sequence.
The numbers 1, 1,
2, 3, 5, 8, 13, 21, 34, etc. and continuing with the next number being
the sum of the two previous numbers, are found in nature, art, music,
and architecture. This concept is also referred to as “Phi,” the “Golden
Mean” and the “Golden Number.”
There are many
ways to approach the integration of a mathematical concept into music
composition, so before beginning, music teacher Anne Hamilton directed
student musicians to the advice of online mentors from the Vermont MIDI
Project. Professional composers and teachers offered strategies and
resources for the young composers to consider in developing their
pieces. They created and revised music using the password protected
website to receive feedback.
The final 9-minute
composition has four sections, which are joined by transitions. Julienne
Cornelius used form as the basis for part one. According to the “Golden
Mean,” the ratio 1.618 denotes the ideal place for music to climax.
Julie’s percussion number builds from one instrument to an explosive
climax approximately 2/3 of the way into the piece.
Allan Beaudry
approached through meter, using Fibonacci numbers 5 and 3 as the number
of beats per measure. Intervals formed the basis of Abby Cornelius’s
dance, using the numbers to create a melodic sequence. Tyler Fairbanks
assigned pitches to different numbers for the final section, creating a
formula that used frequency as its basis. The students’ completed work
can be heard at www.vtmidi.org.
After transitions
were written, a recording of the music was given to the dancers, and a
print out of the musical score was accessed by art students of Pat
Sanders. Choreographers generated patterns based on “Phi,” while artists
manipulated the musical scores, using Photo Shop, pasting designs to a
large cube that was handled on stage by the dancers. Senior Tonya White,
who will attend Savannah College of Art and Design in the fall, made
costumes for her dance class extending the collaborative process
further.
Writing for The
Chronicle of Barton, reviewer Richard Creaser noted that “…a new
standard has been set… It is hard to imagine how something as
unobtrusive as a mathematical theory could produce such a wondrous and
compelling aural and visual work… the culmination of the
inter-disciplinary project was truly worth every ounce of effort.”
Also on the
program was “Dansa Didadi,” student choreography made possible, in part,
through ggrant monies provided by the Vermont Alliance for Arts
Education in partnership with the Flynn Center who received a grant from
the John K. Kennedy Center for the Performing Arts. Members of the North
Country Dance Company studied African dance with Jeh Kulu, a
Burlington-based ensemble that was sponsored by the Alliance to teach at
the Vermont State Dance Festival held at Lyndon Institute. Students were
so taken by the power of the movement that they wanted to create a
number of their own based on what they had learned at the festival.
“Dansa Didadi” is
performed to West African rhythms from Mali. Students reworked and
elaborated on vocabulary they had picked up from Jeh Kulu, exploring
traditional dance beats of the Dansa, Cou-Cou, Didadi, Madan, and
Goumnbe’.
–from NCUHS
VAAE Summer Art's
s Institute Courses - When You’re H.O.T.
By Gail
Ruggles
Dr. Plato Karafelis has stayed H.O.T. for eighteen years as principal of
the Wolcott Elementary School in West Hartford, Connecticut. He shared
his “Higher Order of Thinking” model in a graduate level course at the
Howard Dean Educational Center in Springfield, VT, August 7-12, 2005.
Karafelis defines the H.O.T. model as one which believes all children
are capable of succeeding. They are all unique, they are all important.
They deserve and get respect at Wolcott. The goal is to make learning
child-centered, not teacher or administration centered. Parents are very
involved in this system, because it showcases their children in new and
positive ways. The voice of each child is listened to and shared. The
sharing begins in the classroom, and then mushrooms out to the school,
the family and the community at large. With H.O.T., failure is not an
option – it is just an avenue for a new way of learning and then
succeeding. “If you can’t make mistakes, you can’t learn,” Matthew
Dicks, third grade teacher at Wolcott says. Every child can learn under
the H.O.T. method. Elysha Green, fifth grade teacher and innovator of
the recent use of Photoshop in the school said, “Many students don’t
know about self-advocacy. They need to find their voice and find a place
to have it heard.” Wolcott School makes that happen every day. By
exposing children to a myriad of ways to have their work held up to
others as good and important, they build in each student a sense of ‘can
do.’ They create self-fulfilling prophesies of success on a daily basis.
Matt’s presentation included mixing math with poetry, teaching
vocabulary across the subjects, and using contests and poetry sales to
encourage writing. In what could be a take-off from Drew Carey’s ‘scenes
from a hat,’ he pulls the names of two students from his bucket, and
they must do an impromptu scene, based on the word walls that the class
has created. “If you want to teach kids to write, take classes on how to
be a better writer,” Matt says. “Write for your kids,” Matt went on.
“But what if you are not a very good writer yourself?” one teacher
asked.
“Oh, but you are,” Matt said. “Unless you are teaching gifted high
school students or older, you know more than they do, you can really
write better than they can, and they love what you write, whatever it
is. Besides, they will love to correct and critique your writing if they
get a chance, and that will only enhance their self esteem and get them
to write more.” It sounds like a win-win situation. Following Matt’s
presentation, Dennis Hagan, a 4th/5th grade teacher at Park Street
School said that he “already saw new models he could use to improve the
curriculum in his school.”
Unsolicited
comments from junior high teachers tell them that the system works.
“Wolcott kids are the volunteers and organizers of group projects,” they
say. They are students who are unafraid to jump in, try something new.
He said that in a fully functioning H.O.T. school, Parents, Teachers and
Students have equal voices. It doesn’t matter where a good idea came
from; if it is good, they use it!
One attendee, Kim
Ray, is an artist in residence in the Ludlow Elementary School. Already
a great supporter of the integration of art in education, she teaches
the process creating large wall murals to children. They do research on
the chosen topic alone and in groups; deciding on themes to portray.
They find ways to blend these scenes together, form teams to block out
the details on the walls. Then they create the mural. She worked with
the students at Manchester Elementary school to do a mural depicting the
endangered species from around the world. She will be going to Ludlow
for three months in Feb, March, and April. She said that she got many
wonderful ideas from this class.
“This is way
beyond what I read in the flyer,” one teacher commented. “To see
children at these ages and levels doing this work is so phenomenal. It
knocks my socks off.”
The H.O.T. school format goes back to the basic American initiative of
hard work and innovation. No task is too menial if it helps the project
go forward, because all children share in the glory of the finished
product. They know that they will have a turn at the other tasks, too.
Paul Rabara is fifth grade teacher at Wolcott. He has also taught a
number of teachers the use of digital video technology for instruction,
arts integration and portfolio documentation. He said, “When you see
children rotate from one task to another without teacher direction, you
know the system is working. These kids self regulate.” Debra Brown K-8
music teacher at Albert Bridge School said, “When we study a culture, we
study all facets of it, the science, art, architecture, dress,
literature, religion, government, etc. But we seem to downplay the
importance of the arts in our own culture. This is too bad, because it
defines the culture in many ways.”
Paul Rabara said
“We call our program “The Higher Order of Thinking Model” because,
although many children have difficulty decoding sound/symbol
relationships, sequencing, etc., all kids can function in the Higher
Order Model.” The fourth and fifth graders who participate need to learn
to plan, research, collaborate, and use a variety of digital media
tools. They form natural teams and each member learns to carry his or
her own weight.
Pictures that Talk – Words that Show – Children that Learn
By Gail
Ruggles
Susan O’Byrne
taught a postgraduate course incorporating “Picturing Writing, Fostering
Literacy Through Art and Image - Making Within The Writing Process,” to
a very active and appreciative class at the Summer VAAE Art Institute.
This course was developed and copyrighted by Beth Olshansky.
One of the first things Susan mentioned was Gardner’s Multiple
Intelligences. “If we make them put away the crayons after first or
second grade, the teaching is just not as effective,” she said. Using
superb modeling, she led the class through the whole process of picture
writing, specifically: creating a picture using water colors and crayon
resist art techniques and then writing the story you find in your
picture. Then she took them on to the more involved process of making a
collage picture from a personal portfolio of hand-textured papers
created using over a dozen art techniques.
Amy Jones, Visual
Arts Teacher in Cavendish and Plymouth schools said that there is
currently little integration between the arts and other courses unless
she is specifically approached by a teacher. She does a unit where she
has students write a poem in the format of the subject of the poem. She
hopes to take what she learned from this class and bring more
integration to her lessons.
Karen McAllister,
a second grade teacher from Flood Brook Union School came to the class
because her teaching assistant took it last year and was very impressed.
She does word walls as she does poetry. Although she is taking the
course to satisfy recertification requirements, she said she is
“definitely getting more out of the course than she expected. She sees
the course as a great way to reach students who are primarily visually
oriented.”
Janet Szeto, in her second year as the grades 6-8 Visual Arts Teacher
for Riverside Middle School in Springfield said this course “has really
encouraged her to aim for greater integration of arts into the general
curriculum.” She said that younger students are really ready to try
anything, so the program will be easier with them. The middle grade
students will benefit because this is a process in which all can
succeed. Often, she says, these students have a vision of what they want
to create in art class and if they do not get desired results, they ruin
it on purpose, and feel defeated. “This course provides an alternative
path and can give every student a greater sense of self and self-worth.”
Pat Magrosky, a Riverside School English teacher, plans to reinvent her
poetry class. In the past, she had the students create an original Haiku
poem. Then they created a visual representation of the poem using a dark
silhouette on a picturesque background, with the Haiku imbedded in the
picture, usually off to the side. “Now I will take the class from visual
to verbal, reversing the process.”
Other comments
were “This is just what I need for my A & L students. It will show the
cognitive process going on while students create art,” and “I will spend
more time celebrating children’s art.”
Dr. Eugene Bont, a
visiting member of the Cavendish School Board said, “I’m pretty excited
about what I’ve seen today – the whole concept of how the arts are
integrated into the curriculum makes sense.”
Administrators Uncover the ARTS at Summer Institute
Adapted
from an article by Johanna Sorrentino
On the last day of
the Summer Arts Institute sponsored by VAAE, held at the Howard Dean
Education Center in Springfield, Vermont, school board members and
administrators became students. The twenty-five educators and principals
who attended the week-long graduate courses displayed their artwork,
performed their poetry, and celebrated their individuality through the
arts. For them, the arts were no longer a futuristic idea, but a
realistic new approach to core curriculum.
Two Institute
instructors worked their magic. Susan O’ Bryne introduced a specific
methodology with an emphasis on creative problem solving and literacy
using visual art as an inspiration for building stories. Plato
Karafelis, principal of Wolcott Elementary School in Connecticut, came
with a team of master teachers from his school to be guides into a whole
school philosophy where every child’s skills and sense of self are
strengthened through participation in the arts. The culmination of the
week-long learning was a visit from area school board members,
Superintendent Rose Rooth from Springfield, and Diane Mueller from the
Vermont State Board of Education. A special presentation facilitated by
Department of Education’s Gail Kilkelly, supplied the group with ways to
implement arts integration in their schools. Institute instructor Plato
Karafelis, an administrator himself, was asked to join the group and
explain how his teachers use an integrated arts approach with such
success.
Janet Ressler from
the Vermont Arts Council provided information about three programs which
they help fund: “Words Come Alive” that combines literature and theater;
Vermont MIDI, a musical composition project; and Visual Thinking
Strategies that teaches vocabulary by analyzing artwork. These programs
encourage key skills such as attention to detail and critical thinking.
Gail Kilkelly,
State Department of Education Coordinator for Fine Arts and Foreign
Language, introduced the Vermont Frameworks for Standards and Learning
Opportunities – a guide to assessing the arts in an integrated
curriculum. Kilkelly stressed that this is not a mandated assessment.
Kilkelly said in
order to develop arts education in Vermont, the arts must be promoted as
a discipline. “We don’t teach the arts so that they will become
professional artists. That’s up to the kid. We teach the arts so they
will be well-rounded human beings and citizens,” she said.
Plato explained
“High Order Thinking and Student Achievement”, how it is accomplished by
celebrating the child, and how the arts – writing, music, theatre, art –
become the instruments for a child’s success. “The arts cross all
disciplines and are used to apply basic skills,” he said. He made clear
that although the school does not focus on testing, it continues to
receive some of the highest scores on state examinations.
The meeting with
the administrators included a discussion on the effect of arts
integration on standardized test scores. Superintendent Rooth spoke
about how an integrated arts program in Springfield could raise test
scores by boosting the confidence of students. “Their products could
have meaning, and that makes them (individual students) have meaning and
worth,” she said.
After lunch,
workshop participants and the day’s guests witnessed the work of two
Vermont students who have been chosen to pursue a professional arts
career. The first performer was violinist Yukio McDounough-Sieben of the
Gailer School in Shelbourne, Vermont. He will attend SUNY Purchase this
fall on a VAAEVSAC scholarship.
Maggie O’Neil from
U-32 in Montpelier, Vermont, graduated with an All State Music Festival
Vocal Scholarship to Ithica College. She performed a selection of songs
from Broadway musicals.
At the end of a
glorious day of sharing ideas about the arts, administrators caught the
enthusiasm of workshop instructors and participants. They could all
BELIEVE the message: use excellent Vermont programs already in place,
implement new ones like the image making techniques taught by Susan
O’Byrne, and follow the model of whole institution arts integration
employed by Plato and ANY SCHOOL IN VERMONT will know the success of
Wolcott.
VAAE Summer 2005
Arts Institute in partnership with the Vermont Department of Education &
Okemo Community Challenge Special Thanks to the following people and
businesses:
Arts, Higher Order
Thinking, and Student Achievement Instructor, Dr. Plato Karafelis, Henry
A. Wolcott Elementary School Staff, Matthew Dicks, Rob Hugh, Paul
Rabara, Debby Szajnberg, Jo McGinnis & Elysha Green.
Picturing Writing:
Fostering Literacy Through Art and Image-Making Within the Writing
Process Developed by Beth Olshansky, UN H; Instructor, Susan O’Byrne
Springfield School District and Dr. Rose Rooth, Superintendent Howard
Dean Educational Center (HDEC) & Staff
VAAE Summer 2005 Arts Institute
in partnership with the Vermont Department of Education & Okemo
Community Challenge
Special Thanks to the following people and businesses:
Arts, Higher
Order Thinking, and Student Achievement
Instructor,
Dr. Plato Karafelis
Henry A.
Wolcott Elementary School Staff, Matthew Dicks, Rob Hugh,
Paul Rabara,
Debby Szajnberg, Jo McGinnis & Elysha Green.
Picturing
Writing: Fostering Literacy Through Art and Image-Making Within the
Writing Process
Developed by
Beth Olshansky, UN H; Instructor, Susan O’Byrne
Springfield
School District and Dr. Rose Rooth, Superintendent
Howard Dean
Educational Center (HDEC) & Staff
Eric
Adnams, Holiday Inn Express
Gary and
Marilee Blodgett, Ludlow Country Store
Pam
Cruickshank, Okemo Mountain Resort
Diane
Kemble, Springfield
Gail
Kilkelly, Vermont Department of Education
Zachary
McNaughton, S.A.P.A. Television
Yukio F.
McDounough-Sieben, VAAE/VSAC Scholarship Recipient
Maggie McNeil, a Vermont All State Music Festival Scholarship
Janet Ressler, Vermont Arts Council
Gail
Ruggles, Newark, Vermont
|
S.A.P.A. Studio, Springfield, Vermont
Johanna Sorrentino, Springfield, Vermont
Shaw’s Supermarkets
Springfield High School
Dave Steuwe, Head of Maintenance, Springfield HS & HDEC
Jean Stocker, Springfield High School
Carol Sylvia, Administrative Assistant, HDEC
Vermont T’s, Mariette Bock
Harriet Worrell, Woodstock Union High School
|
2006 VMEA Band Festival hosted by Harwood UHS and Springfield HS
On April
12, 2005, approximately 550 instrumental students from ten schools
traveled to Harwood Union High School to participate in the first annual
VMEA Band Festival. Each band presented three pieces (two taken from a
repertoire list and one of their choice) to three outstanding
adjudicators, Gary Corcoran from Plymouth State University, Andrew
Boysen from the University of New Hampshire, and D. Thomas Toner from
the University of Vermont.
The bands each had
forty minutes of “on stage” time and in addition to taped and written
comments, they each received a clinic from one of the three
adjudicators. Many groups were able to stay for part of the day to hear
other bands perform (often the same pieces that they played!) and the
clinics that followed.
The directors were
able to choose whether they wanted “comments only” or “ratings and
comments,” but in either case, they were judged on tone, tempo, rhythmic
accuracy, melodic/harmonic accuracy, blend/balance, clarity in
articulation, dynamics, phrasing and intonation. The day ran smoothly
and was a great success!
Comments from some of this year’s
participants:
“I met
with my group today, and the students had a fabulous experience.
They were SO appreciative of the opportunity to hear the other
groups, and hear the comments of the adjudicators. The comments, by
the way, were well said by all three gentlemen on our tapes.”
“The
discussion before and afterwards was wonderful for my classes.
Tom’s
humor and expertise was well received and appreciated by my
students. The taped comments were also very helpful and both Andy
and Gary had great comments.
I think
this was a wonderful event and will do whatever I can to help it
continue.”
“It seemed
to run very smoothly and I was pleased with the comments from each
of the adjudicators and especially pleased with Gary’s clinic after
our performance.”
For 2005-2006, we
are very excited to expand the
VMEA Band Festival to
two full days, Tuesday, April 11 at Harwood Union High School and
Wednesday, April 12 at Springfield High School.
We are pleased to
announce that one of our adjudicators this year will be Lt. Col. Michael
Colburn, conductor of “The President’s Own” United States Marine Band.
Robert Franzblau
from Rhode Island College and Steve Peterson from Ithaca College. If you
are interested in participating, contact Christina Toner or download the
application form from the VAAE website (www.vaae.org) and send it to:
Christina Toner
South Burlington High School
550 Dorset Street
So. Burlington, VT 05403
(802) 652-7542;
ctoner@sbschools.net
If you do
not wish to participate this year, but would like to see what it’s all
about, we would like to invite you to bring some students to listen and
watch. Let me know (via email) if you would like to watch and I will
send you a program with participating groups, times of performances and
selections.
Please feel free
to call or email with any questions!
Items Still Needed for the ARTS
Scholarship Benefit Silent Auction and Raffle to be held at VAAE’s Fall
Conference. . . such as theater tickets, gift baskets, craft
items, works of art, useful and imaginative things that you have and
others will want. Consider asking for donations from businesses that you
know. All proceeds benefit VAAE Scholarship Program. Please contact
Diane Kemble at
dkemble@sover.net
or 802-885-1156 or the VAAE office at
vaae@valley.net
or mail items to:
VAAE
P.O. Box 327
Fairlee, VT 05045
Addison Northeast S.U. Schools Celebrate the Arts
The Annual ANESU Fine Arts Festival was held May 11-13, 2005 at Mount
Abraham Union High School. Two nights and three days were filled with
music, art, theater and dance, a credit to the teachers and principals
of the Fine Arts Committee. The exhibit has at least one piece of art
from each elementary school student in the school district. The
reasoning behind this is that many of the small schools do not have
ample exhibit and performance space, so the Union High School is an
ideal location to showcase student artwork. During the festival,
professional artists are invited to do demonstrations, others are
invited to perform in the auditorium, and students from each school have
the opportunity to visit the exhibit, as well as, various
performances/demonstrations. On the evening of May 11, the community was
invited to the ANESU Festival Chorus and Social Band (Katie Shimizu,
Patti Casey, Tom Cleary, Jon Gailmor, and Pete Sutherland) performances
and to view the artwork.
Monkton Central
Teachers
Sandra Dahl,
Michaela Granstrom
Principals
Mr. Rich Jesset
Bristol
Teachers
Sandra Dahl,
Jennifer Griggs, Debra Mager-Rickner
Principals
Mr. Terry Evarts
Beeman
Ms. Debora Price
Lincoln
Teachers
Linda Dague, Nancy
McClaran
Principals
Ms. Tory Riely
Mr. William
Jesdale
Robinson Elementary
Starksboro
Teachers
Vera Ryersbach,
Linda Dague, Tom Cleary'
Principal
Ms.
Mary Heins
Mount Abraham
Teachers
Lois Thompson,
Elise Cleary, Megan LaRose, Matt Tatro
Principals
Dr. Paulette
Bogan, Barbara Brody, June Sargeant
Vermont Youth Orchestra
The Vermont
Youth Orchestra, led by Music Director and Conductor Troy Peters, opens
its’ forty-third season on Sunday, September 18, at 3:00 p.m. at the
Flynn Center. Themes of courage, youthful optimism, and heroic feats
comprise September’s “Jedi Knights, Cowboys and other Heroes”. A program
with energetic appeal, the concert features Rossini’s Overture to
William Tell, and the Overture to Wagner’s politically-charged Rienzi.
The orchestra gives the Vermont premiere of “Possibly”, written by Micah
Hayes, a young Oregon-based composer, who originally penned the piece
for his California rock band. Hayes was jointly commissioned by the
Saint Louis Symphony Youth Orchestra, the Chicago Youth Symphony
Orchestra, and the Vermont Youth Orchestra to write this new work. Two
VYO soloists will perform: Essex Junction horn player, Trevor Bergeron,
is featured in Gordon Jacobs’ Horn Concerto, and Charlotte cellist,
Daniel Hollier-Cross, will play Dohnányi’s Concert Piece in D major, Op.
12. For the program finale, the VYO travels musically to “a galaxy far,
far away”, with a medley from the popular motion picture series, Star
Wars, written by John Williams.
*This concert will
be repeated on Sunday, Sept. 11, 3:00 p.m. at Missisquoi Valley UHS in
Swanton, VT.
The heritage of
the Far East inspires “Floating World” on Sunday, January 29, 2006 at
3:00 p.m. at the Flynn Center. The VYO is thrilled to collaborate with
the internationally- renowned violinist, Midori, in a performance of
Bruch’s Violin Concerto No. 1. Known worldwide as a master musician and
a committed advocate for music education, her visit to Vermont includes
a five-day residency with both the Vermont Youth Orchestra and the
Vermont Symphony Orchestra. This concert also features the world
premiere of a new piece by Middlebury composer Su Lian Tan, who will be
in-residence with the VYO this fall. Tan has a unique and eclectic
musical perspective, and connects to her students through the
exploration of popular music. “Polovtsian Dances” from the opera, Prince
Igor, and Alan Hovhaness’ Floating World, Op. 209, complete the
repertoire for this program.
For ticket
information call 802-655-5030 or visit
www.vyo.org;
Flynn Theater at 802-86-FLYNN or online at
www.flynntix.org.
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