Art in Education and Education in Art
 

By Gail Ruggles

H.O.T. Class Two VAAE sponsored, graduate level classes presented in August, 2005 at the Howard Dean Educational Center in Springfield, Vermont received unanimous praise from attendees. “Arts, Higher Order Thinking, and Student Achievement” (a.k.a. H.O.T.) was taught by Dr. Plato Karafelis, principal of the Henry A. Wolcott Elementary School in West Hartford, Connecticut. He was assisted by a host of co-educators from the school. Each day of the weeklong presentation brought innovative ways to create a curriculum which would engage students of all levels, in all grades. At one point there was a hands-on demonstration of how students’ poetry could be set to music. Debra Brown from Albert Bridge School exclaimed, “Now that’s doable!” Others in the room echoed her feelings, as they learned how to integrate parts and pieces of the H.O.T. school format into their own school curriculums.

Karafelis and his band of merry teachers enthusiastically displayed the films, photos, and writings of the students of Wolcott. They showed, and even shared samples of, the actual songs, CD’s, DVD’s and live presentations that students created, using a primarily non-fiction based approach to combining art and education. They have incorporated modern technological advances into the curriculum and the students certainly seem to embrace the new way of learning at Wolcott.

Picture Writing Class Two floors away, Susan O’Byrne taught “Picturing Writing: Fostering Literacy Through Art and Image-Making Within The Writing Process,” a program developed and copyrighted by Beth Olshansky. As this was the fourth time that VAAE sponsored this workshop, it was well attended and extremely well received. Susan showed participants how any student can succeed when art is included as a ‘basic’ rather than ‘special’ educational tool. Following Gardner’s theory of multiple intelligences, integrating the arts directly into the curriculum allows a broad spectrum of approaches in all academic pursuits. At the end of the week Susan created a sharing circle for participants to give feedback to her and their fellow students. Kindergarten teacher Hollis Thompson of Union Street School in Springfield said, “It was hard to start my students writing. I will be delighted to try something new. I really like this process.” All the heads in the circle bobbled in enthusiastic agreement.

During lunch, the students chatted and mingled, sharing ideas they were learning in their respective classes. Plato Karafelis overheard one of Susan’s student’s explaining some of the background of the class to one of his students: “Picturing Writing is just that; first you make a picture and then you tell the story you see in the picture.” During the break later that day, he brought a book which one of the Wolcott students had made into Susan’s class. “We’re doing the same thing!” he said happily. Indeed, the student-made books Susan had on display were amazingly like the Wolcott book. The students of both the H.O.T. class and the Picturing Writing/Image Making class caught a double affirmation of a system that works. When art is blended into education, not just stuck on the side of it, good things happen to children and their academic progress. These graduate courses were funded by the VAAE, John F. Kennedy Center for Performing Arts and the Okemo Community Challenge and in partnership with the Vermont Department of Education. Wolcott 5th Grade Teacher Paul Rabara Debby Szajnberg, Wolcott Kindergarten & Movement Teacher Susan O’Byrne Rob Hugh, Wolcott Music Teacher Plato Karafelis and Susan O’Byrne compare notes.

These graduate courses were funded by the VAAE, John F. Kennedy Center for Performing Arts and the Okemo Community Challenge and in partnership with the Vermont Department of Education.

 

DRM Community Fund Contributes to VAAE

The Vermont Alliance for Arts Education (VAAE) has been awarded a grant of $1,000 from the DRM Community Fund, a program offered by attorneys at the law firm Downs Rachlin Martin PLLC. The funding will assist with both the day to day operations of the non-profit arts education organization and assist to support the fall conference, where professional artists share their talents and expertise with Vermont educators.

DRM presentation “On behalf of the firm, we are delighted to support programs like this that can make the arts come alive for Vermont school children,” said Walter E. Judge, a Director and owner at DRM and a member of the VAAE Board of Directors. “This program will contribute greatly to the strength of our communities in Vermont.”

DRM Community Fund grants are being awarded to private non-profit organizations in Vermont and New Hampshire for projects aimed at building strong communities. The program was begun in the fall of 2000 as part of the firm’s celebration of 50 years of service. Since then the firm has awarded more than $100,000 in small grants for innovative grass-roots initiatives in the arts, education, and economic development.

Downs Rachlin Martin PLLC is Vermont’s largest law firm with more than 70 attorneys and other legal professionals, and offices in Brattleboro, Burlington, Montpelier, and St. Johnsbury, VT, and in Littleton, NH. It was established in 1950 in St. Johnsbury under the name of Waterman & Downs.

For more information on the firm visit the firm’s web site at www.drm.com.
 

Collaboration Enriches Dance

The North Country Dance Program, directed by Cheri Skurdall, celebrated its 18th year with collaborative projects that were featured at the annual Spring Concert. In a series of district assemblies and public performances, 200 high school dancers performed for elementary and middle school students, as well as for packed public houses. North Country High School and Career Center, through the efforts of IT Academy Director Lucie de LaBruere, received a $100,000.00 grant from the U.S. Dept of Education to integrate technology throughout the school. Among various initiatives was a collaborative project between dance, music, art, and math students focusing on the concept of the Fibonacci sequence.

The numbers 1, 1, 2, 3, 5, 8, 13, 21, 34, etc. and continuing with the next number being the sum of the two previous numbers, are found in nature, art, music, and architecture. This concept is also referred to as “Phi,” the “Golden Mean” and the “Golden Number.”

There are many ways to approach the integration of a mathematical concept into music composition, so before beginning, music teacher Anne Hamilton directed student musicians to the advice of online mentors from the Vermont MIDI Project. Professional composers and teachers offered strategies and resources for the young composers to consider in developing their pieces. They created and revised music using the password protected website to receive feedback.

The final 9-minute composition has four sections, which are joined by transitions. Julienne Cornelius used form as the basis for part one. According to the “Golden Mean,” the ratio 1.618 denotes the ideal place for music to climax. Julie’s percussion number builds from one instrument to an explosive climax approximately 2/3 of the way into the piece.

Allan Beaudry approached through meter, using Fibonacci numbers 5 and 3 as the number of beats per measure. Intervals formed the basis of Abby Cornelius’s dance, using the numbers to create a melodic sequence. Tyler Fairbanks assigned pitches to different numbers for the final section, creating a formula that used frequency as its basis. The students’ completed work can be heard at www.vtmidi.org.

After transitions were written, a recording of the music was given to the dancers, and a print out of the musical score was accessed by art students of Pat Sanders. Choreographers generated patterns based on “Phi,” while artists manipulated the musical scores, using Photo Shop, pasting designs to a large cube that was handled on stage by the dancers. Senior Tonya White, who will attend Savannah College of Art and Design in the fall, made costumes for her dance class extending the collaborative process further.

Writing for The Chronicle of Barton, reviewer Richard Creaser noted that “…a new standard has been set… It is hard to imagine how something as unobtrusive as a mathematical theory could produce such a wondrous and compelling aural and visual work… the culmination of the inter-disciplinary project was truly worth every ounce of effort.”

Also on the program was “Dansa Didadi,” student choreography made possible, in part, through ggrant monies provided by the Vermont Alliance for Arts Education in partnership with the Flynn Center who received a grant from the John K. Kennedy Center for the Performing Arts. Members of the North Country Dance Company studied African dance with Jeh Kulu, a Burlington-based ensemble that was sponsored by the Alliance to teach at the Vermont State Dance Festival held at Lyndon Institute. Students were so taken by the power of the movement that they wanted to create a number of their own based on what they had learned at the festival.

“Dansa Didadi” is performed to West African rhythms from Mali. Students reworked and elaborated on vocabulary they had picked up from Jeh Kulu, exploring traditional dance beats of the Dansa, Cou-Cou, Didadi, Madan, and Goumnbe’.

–from NCUHS
 

VAAE Summer Art's s Institute Courses - When You’re H.O.T.

By Gail Ruggles

H.O.T. Class Dr. Plato Karafelis has stayed H.O.T. for eighteen years as principal of the Wolcott Elementary School in West Hartford, Connecticut. He shared his “Higher Order of Thinking” model in a graduate level course at the Howard Dean Educational Center in Springfield, VT, August 7-12, 2005. Karafelis defines the H.O.T. model as one which believes all children are capable of succeeding. They are all unique, they are all important. They deserve and get respect at Wolcott. The goal is to make learning child-centered, not teacher or administration centered. Parents are very involved in this system, because it showcases their children in new and positive ways. The voice of each child is listened to and shared. The sharing begins in the classroom, and then mushrooms out to the school, the family and the community at large. With H.O.T., failure is not an option – it is just an avenue for a new way of learning and then succeeding. “If you can’t make mistakes, you can’t learn,” Matthew Dicks, third grade teacher at Wolcott says. Every child can learn under the H.O.T. method. Elysha Green, fifth grade teacher and innovator of the recent use of Photoshop in the school said, “Many students don’t know about self-advocacy. They need to find their voice and find a place to have it heard.” Wolcott School makes that happen every day. By exposing children to a myriad of ways to have their work held up to others as good and important, they build in each student a sense of ‘can do.’ They create self-fulfilling prophesies of success on a daily basis. Matt’s presentation included mixing math with poetry, teaching vocabulary across the subjects, and using contests and poetry sales to encourage writing. In what could be a take-off from Drew Carey’s ‘scenes from a hat,’ he pulls the names of two students from his bucket, and they must do an impromptu scene, based on the word walls that the class has created. “If you want to teach kids to write, take classes on how to be a better writer,” Matt says. “Write for your kids,” Matt went on. “But what if you are not a very good writer yourself?” one teacher asked.

H.O.T. Class “Oh, but you are,” Matt said. “Unless you are teaching gifted high school students or older, you know more than they do, you can really write better than they can, and they love what you write, whatever it is. Besides, they will love to correct and critique your writing if they get a chance, and that will only enhance their self esteem and get them to write more.” It sounds like a win-win situation. Following Matt’s presentation, Dennis Hagan, a 4th/5th grade teacher at Park Street School said that he “already saw new models he could use to improve the curriculum in his school.”

Unsolicited comments from junior high teachers tell them that the system works. “Wolcott kids are the volunteers and organizers of group projects,” they say. They are students who are unafraid to jump in, try something new. He said that in a fully functioning H.O.T. school, Parents, Teachers and Students have equal voices. It doesn’t matter where a good idea came from; if it is good, they use it!

One attendee, Kim Ray, is an artist in residence in the Ludlow Elementary School. Already a great supporter of the integration of art in education, she teaches the process creating large wall murals to children. They do research on the chosen topic alone and in groups; deciding on themes to portray. They find ways to blend these scenes together, form teams to block out the details on the walls. Then they create the mural. She worked with the students at Manchester Elementary school to do a mural depicting the endangered species from around the world. She will be going to Ludlow for three months in Feb, March, and April. She said that she got many wonderful ideas from this class.

“This is way beyond what I read in the flyer,” one teacher commented. “To see children at these ages and levels doing this work is so phenomenal. It knocks my socks off.”

H.O.T. Class The H.O.T. school format goes back to the basic American initiative of hard work and innovation. No task is too menial if it helps the project go forward, because all children share in the glory of the finished product. They know that they will have a turn at the other tasks, too. Paul Rabara is fifth grade teacher at Wolcott. He has also taught a number of teachers the use of digital video technology for instruction, arts integration and portfolio documentation. He said, “When you see children rotate from one task to another without teacher direction, you know the system is working. These kids self regulate.” Debra Brown K-8 music teacher at Albert Bridge School said, “When we study a culture, we study all facets of it, the science, art, architecture, dress, literature, religion, government, etc. But we seem to downplay the importance of the arts in our own culture. This is too bad, because it defines the culture in many ways.”

Paul Rabara said “We call our program “The Higher Order of Thinking Model” because, although many children have difficulty decoding sound/symbol relationships, sequencing, etc., all kids can function in the Higher Order Model.” The fourth and fifth graders who participate need to learn to plan, research, collaborate, and use a variety of digital media tools. They form natural teams and each member learns to carry his or her own weight.

 

Pictures that Talk – Words that Show – Children that Learn

By Gail Ruggles

Susan O’Byrne taught a postgraduate course incorporating “Picturing Writing, Fostering Literacy Through Art and Image - Making Within The Writing Process,” to a very active and appreciative class at the Summer VAAE Art Institute. This course was developed and copyrighted by Beth Olshansky.

Picture Class One of the first things Susan mentioned was Gardner’s Multiple Intelligences. “If we make them put away the crayons after first or second grade, the teaching is just not as effective,” she said. Using superb modeling, she led the class through the whole process of picture writing, specifically: creating a picture using water colors and crayon resist art techniques and then writing the story you find in your picture. Then she took them on to the more involved process of making a collage picture from a personal portfolio of hand-textured papers created using over a dozen art techniques.

Amy Jones, Visual Arts Teacher in Cavendish and Plymouth schools said that there is currently little integration between the arts and other courses unless she is specifically approached by a teacher. She does a unit where she has students write a poem in the format of the subject of the poem. She hopes to take what she learned from this class and bring more integration to her lessons.

Karen McAllister, a second grade teacher from Flood Brook Union School came to the class because her teaching assistant took it last year and was very impressed. She does word walls as she does poetry. Although she is taking the course to satisfy recertification requirements, she said she is “definitely getting more out of the course than she expected. She sees the course as a great way to reach students who are primarily visually oriented.”

Picture Class Janet Szeto, in her second year as the grades 6-8 Visual Arts Teacher for Riverside Middle School in Springfield said this course “has really encouraged her to aim for greater integration of arts into the general curriculum.” She said that younger students are really ready to try anything, so the program will be easier with them. The middle grade students will benefit because this is a process in which all can succeed. Often, she says, these students have a vision of what they want to create in art class and if they do not get desired results, they ruin it on purpose, and feel defeated. “This course provides an alternative path and can give every student a greater sense of self and self-worth.” Pat Magrosky, a Riverside School English teacher, plans to reinvent her poetry class. In the past, she had the students create an original Haiku poem. Then they created a visual representation of the poem using a dark silhouette on a picturesque background, with the Haiku imbedded in the picture, usually off to the side. “Now I will take the class from visual to verbal, reversing the process.”

Other comments were “This is just what I need for my A & L students. It will show the cognitive process going on while students create art,” and “I will spend more time celebrating children’s art.”

Dr. Eugene Bont, a visiting member of the Cavendish School Board said, “I’m pretty excited about what I’ve seen today – the whole concept of how the arts are integrated into the curriculum makes sense.”
 

Administrators Uncover the ARTS at Summer Institute

Adapted from an article by Johanna Sorrentino

On the last day of the Summer Arts Institute sponsored by VAAE, held at the Howard Dean Education Center in Springfield, Vermont, school board members and administrators became students. The twenty-five educators and principals who attended the week-long graduate courses displayed their artwork, performed their poetry, and celebrated their individuality through the arts. For them, the arts were no longer a futuristic idea, but a realistic new approach to core curriculum.

Two Institute instructors worked their magic. Susan O’ Bryne introduced a specific methodology with an emphasis on creative problem solving and literacy using visual art as an inspiration for building stories. Plato Karafelis, principal of Wolcott Elementary School in Connecticut, came with a team of master teachers from his school to be guides into a whole school philosophy where every child’s skills and sense of self are strengthened through participation in the arts. The culmination of the week-long learning was a visit from area school board members, Superintendent Rose Rooth from Springfield, and Diane Mueller from the Vermont State Board of Education. A special presentation facilitated by Department of Education’s Gail Kilkelly, supplied the group with ways to implement arts integration in their schools. Institute instructor Plato Karafelis, an administrator himself, was asked to join the group and explain how his teachers use an integrated arts approach with such success.

Janet Ressler from the Vermont Arts Council provided information about three programs which they help fund: “Words Come Alive” that combines literature and theater; Vermont MIDI, a musical composition project; and Visual Thinking Strategies that teaches vocabulary by analyzing artwork. These programs encourage key skills such as attention to detail and critical thinking.

Gail Kilkelly, State Department of Education Coordinator for Fine Arts and Foreign Language, introduced the Vermont Frameworks for Standards and Learning Opportunities – a guide to assessing the arts in an integrated curriculum. Kilkelly stressed that this is not a mandated assessment.

Kilkelly said in order to develop arts education in Vermont, the arts must be promoted as a discipline. “We don’t teach the arts so that they will become professional artists. That’s up to the kid. We teach the arts so they will be well-rounded human beings and citizens,” she said.

Plato explained “High Order Thinking and Student Achievement”, how it is accomplished by celebrating the child, and how the arts – writing, music, theatre, art – become the instruments for a child’s success. “The arts cross all disciplines and are used to apply basic skills,” he said. He made clear that although the school does not focus on testing, it continues to receive some of the highest scores on state examinations.

The meeting with the administrators included a discussion on the effect of arts integration on standardized test scores. Superintendent Rooth spoke about how an integrated arts program in Springfield could raise test scores by boosting the confidence of students. “Their products could have meaning, and that makes them (individual students) have meaning and worth,” she said.

After lunch, workshop participants and the day’s guests witnessed the work of two Vermont students who have been chosen to pursue a professional arts career. The first performer was violinist Yukio McDounough-Sieben of the Gailer School in Shelbourne, Vermont. He will attend SUNY Purchase this fall on a VAAEVSAC scholarship.

Maggie O’Neil from U-32 in Montpelier, Vermont, graduated with an All State Music Festival Vocal Scholarship to Ithica College. She performed a selection of songs from Broadway musicals.

At the end of a glorious day of sharing ideas about the arts, administrators caught the enthusiasm of workshop instructors and participants. They could all BELIEVE the message: use excellent Vermont programs already in place, implement new ones like the image making techniques taught by Susan O’Byrne, and follow the model of whole institution arts integration employed by Plato and ANY SCHOOL IN VERMONT will know the success of Wolcott.
VAAE Summer 2005 Arts Institute in partnership with the Vermont Department of Education & Okemo Community Challenge Special Thanks to the following people and businesses:
Arts, Higher Order Thinking, and Student Achievement Instructor, Dr. Plato Karafelis, Henry A. Wolcott Elementary School Staff, Matthew Dicks, Rob Hugh, Paul Rabara, Debby Szajnberg, Jo McGinnis & Elysha Green.
Picturing Writing: Fostering Literacy Through Art and Image-Making Within the Writing Process Developed by Beth Olshansky, UN H; Instructor, Susan O’Byrne Springfield School District and Dr. Rose Rooth, Superintendent Howard Dean Educational Center (HDEC) & Staff

 
VAAE Summer 2005 Arts Institute
 
in partnership with the Vermont Department of Education & Okemo Community Challenge
 


Special Thanks to the following people and businesses:
Arts, Higher Order Thinking, and Student Achievement
Instructor, Dr. Plato Karafelis
Henry A. Wolcott Elementary School Staff, Matthew Dicks, Rob Hugh,
Paul Rabara, Debby Szajnberg, Jo McGinnis & Elysha Green.
Picturing Writing: Fostering Literacy Through Art and Image-Making Within the Writing Process
Developed by Beth Olshansky, UN H; Instructor, Susan O’Byrne
Springfield School District and Dr. Rose Rooth, Superintendent
Howard Dean Educational Center (HDEC) & Staff

 
Eric Adnams, Holiday Inn Express
Gary and Marilee Blodgett, Ludlow Country Store
Pam Cruickshank, Okemo Mountain Resort
Diane Kemble, Springfield
Gail Kilkelly, Vermont Department of Education
Zachary McNaughton, S.A.P.A. Television
Yukio F. McDounough-Sieben, VAAE/VSAC Scholarship Recipient
Maggie McNeil, a Vermont All State Music Festival  Scholarship
Janet Ressler, Vermont Arts Council

Gail Ruggles, Newark, Vermont

 
S.A.P.A. Studio, Springfield, Vermont
Johanna Sorrentino, Springfield, Vermont
Shaw’s Supermarkets
Springfield High School
Dave Steuwe, Head of Maintenance, Springfield HS & HDEC
Jean Stocker, Springfield High School
Carol Sylvia, Administrative Assistant, HDEC
Vermont T’s, Mariette Bock
Harriet Worrell, Woodstock Union High School


 
 

2006 VMEA Band Festival hosted by Harwood UHS and Springfield HS

On April 12, 2005, approximately 550 instrumental students from ten schools traveled to Harwood Union High School to participate in the first annual VMEA Band Festival. Each band presented three pieces (two taken from a repertoire list and one of their choice) to three outstanding adjudicators, Gary Corcoran from Plymouth State University, Andrew Boysen from the University of New Hampshire, and D. Thomas Toner from the University of Vermont.

The bands each had forty minutes of “on stage” time and in addition to taped and written comments, they each received a clinic from one of the three adjudicators. Many groups were able to stay for part of the day to hear other bands perform (often the same pieces that they played!) and the clinics that followed.

The directors were able to choose whether they wanted “comments only” or “ratings and comments,” but in either case, they were judged on tone, tempo, rhythmic accuracy, melodic/harmonic accuracy, blend/balance, clarity in articulation, dynamics, phrasing and intonation. The day ran smoothly and was a great success!

Comments from some of this year’s participants:

 
“I met with my group today, and the students had a fabulous experience. They were SO appreciative of the opportunity to hear the other groups, and hear the comments of the adjudicators. The comments, by the way, were well said by all three gentlemen on our tapes.”
 

 
“The discussion before and afterwards was wonderful for my classes.
 

 
Tom’s humor and expertise was well received and appreciated by my students. The taped comments were also very helpful and both Andy and Gary had great comments.
 

 
I think this was a wonderful event and will do whatever I can to help it continue.”
 

 
“It seemed to run very smoothly and I was pleased with the comments from each of the adjudicators and especially pleased with Gary’s clinic after our performance.”
 

For 2005-2006, we are very excited to expand the VMEA Band Festival to two full days, Tuesday, April 11 at Harwood Union High School and Wednesday, April 12 at Springfield High School.

We are pleased to announce that one of our adjudicators this year will be Lt. Col. Michael Colburn, conductor of “The President’s Own” United States Marine Band.

Robert Franzblau from Rhode Island College and Steve Peterson from Ithaca College. If you are interested in participating, contact Christina Toner or download the application form from the VAAE website (www.vaae.org) and send it to:
 
Christina Toner
South Burlington High School
550 Dorset Street
So. Burlington, VT 05403
(802) 652-7542; ctoner@sbschools.net

 
If you do not wish to participate this year, but would like to see what it’s all about, we would like to invite you to bring some students to listen and watch. Let me know (via email) if you would like to watch and I will send you a program with participating groups, times of performances and selections.

Please feel free to call or email with any questions!

Items Still Needed for the ARTS Scholarship Benefit Silent Auction and Raffle to be held at VAAE’s Fall Conference. . . such as theater tickets, gift baskets, craft items, works of art, useful and imaginative things that you have and others will want. Consider asking for donations from businesses that you know. All proceeds benefit VAAE Scholarship Program. Please contact Diane Kemble at dkemble@sover.net or 802-885-1156 or the VAAE office at vaae@valley.net or mail items to:
VAAE

P.O. Box 327
Fairlee, VT 05045

 

Addison Northeast S.U. Schools Celebrate the Arts

 The Annual ANESU Fine Arts Festival was held May 11-13, 2005 at Mount Abraham Union High School. Two nights and three days were filled with music, art, theater and dance, a credit to the teachers and principals of the Fine Arts Committee. The exhibit has at least one piece of art from each elementary school student in the school district. The reasoning behind this is that many of the small schools do not have ample exhibit and performance space, so the Union High School is an ideal location to showcase student artwork. During the festival, professional artists are invited to do demonstrations, others are invited to perform in the auditorium, and students from each school have the opportunity to visit the exhibit, as well as, various performances/demonstrations. On the evening of May 11, the community was invited to the ANESU Festival Chorus and Social Band (Katie Shimizu, Patti Casey, Tom Cleary, Jon Gailmor, and Pete Sutherland) performances and to view the artwork.

Monkton Central
Teachers

Sandra Dahl, Michaela Granstrom
Principal
s
Mr. Rich Jesset

Bristol
Teachers

Sandra Dahl, Jennifer Griggs, Debra Mager-Rickner
Principals

Mr. Terry Evarts Beeman
Ms. Debora Price

Lincoln
Teachers

Linda Dague, Nancy McClaran
Principals
Ms. Tory Riely
Mr. William Jesdale

Robinson Elementary Starksboro
Teachers

Vera Ryersbach, Linda Dague, Tom Cleary'
Principal
Ms. Mary Heins

Mount Abraham
Teachers

Lois Thompson, Elise Cleary, Megan LaRose, Matt Tatro
Principals
Dr. Paulette Bogan, Barbara Brody, June Sargeant


 

Vermont Youth Orchestra

 

The Vermont Youth Orchestra, led by Music Director and Conductor Troy Peters, opens its’ forty-third season on Sunday, September 18, at 3:00 p.m. at the Flynn Center. Themes of courage, youthful optimism, and heroic feats comprise September’s “Jedi Knights, Cowboys and other Heroes”. A program with energetic appeal, the concert features Rossini’s Overture to William Tell, and the Overture to Wagner’s politically-charged Rienzi. The orchestra gives the Vermont premiere of “Possibly”, written by Micah Hayes, a young Oregon-based composer, who originally penned the piece for his California rock band. Hayes was jointly commissioned by the Saint Louis Symphony Youth Orchestra, the Chicago Youth Symphony Orchestra, and the Vermont Youth Orchestra to write this new work. Two VYO soloists will perform: Essex Junction horn player, Trevor Bergeron, is featured in Gordon Jacobs’ Horn Concerto, and Charlotte cellist, Daniel Hollier-Cross, will play Dohnányi’s Concert Piece in D major, Op. 12. For the program finale, the VYO travels musically to “a galaxy far, far away”, with a medley from the popular motion picture series, Star Wars, written by John Williams.

*This concert will be repeated on Sunday, Sept. 11, 3:00 p.m. at Missisquoi Valley UHS in Swanton, VT.

The heritage of the Far East inspires “Floating World” on Sunday, January 29, 2006 at 3:00 p.m. at the Flynn Center. The VYO is thrilled to collaborate with the internationally- renowned violinist, Midori, in a performance of Bruch’s Violin Concerto No. 1. Known worldwide as a master musician and a committed advocate for music education, her visit to Vermont includes a five-day residency with both the Vermont Youth Orchestra and the Vermont Symphony Orchestra. This concert also features the world premiere of a new piece by Middlebury composer Su Lian Tan, who will be in-residence with the VYO this fall. Tan has a unique and eclectic musical perspective, and connects to her students through the exploration of popular music. “Polovtsian Dances” from the opera, Prince Igor, and Alan Hovhaness’ Floating World, Op. 209, complete the repertoire for this program.

For ticket information call 802-655-5030 or visit www.vyo.org; Flynn Theater at 802-86-FLYNN or online at www.flynntix.org.

 

 
 

 
horizontal rule

VAAE HOME

OVERVIEW | NEWS & EVENTS | CONFERENCES | AWARDS | RESOURCES